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© Peter Saul/Artists Rights Society (ARS), New York. Photo: Winnie Au for The New York Times
Still from "Keith Haring Uncovered" (© Australian Broadcast Corporation)

News

Image via Film Society of Lincoln Center

January 14, 2019

Pat Steir documentary to premiere at New York Jewish Film Festival

© Pat Steir, courtesy of the Barnes Foundation.

January 14, 2019

Pat Steir presents eleven monumental waterfalls in Barnes Foundation commission.

Photograph by Damian Griffiths, courtesy Pace Gallery

November 21, 2018

Pace Prints to release first prints by Loie Hollowell at Art Basel Miami Beach

Image courtesy of the Nasher Museum of Art at Duke University.

October 9, 2018

Press coverage for Nina Chanel Abney: Royal Flush

© 2018 Red Grooms/Artist Rights Society (ARS), New York; Nathan Bajar for The New York Times

September 14, 2018

Red Grooms profiled by the New York Times

Dick Solomon. Photo copyright Pace Prints.

September 13, 2018

Pace Editions president Richard Solomon on bringing galleries into the 21st Century

50 Years of Pace Prints: 1968–2018

September 4, 2018

Pace Prints Celebrates 50 Years of Print Publishing with Two Exhibitions

Image courtesy of Pace Gallery.

June 5, 2018

Pace Gallery's Arne Glimcher on the career and legacy of Jean Dubuffet

Image courtesy of Arion Press.

March 9, 2018

Joel Shapiro and Arion Press Publisher Andrew Hoyem to present Hart Crane's "The Bridge"

Photo © Pace Editions

February 27, 2018

Shara Hughes speaks to Vogue about painting and monoprinting

Still courtesy Complex / Blueprint

November 21, 2017

KAWS talks about the evolution of his work with Complex

Photo: Ricardo Labougle for T Magazine

October 26, 2017

Santi Moix's gorgeous church murals featured in T Magazine

© Zhang Xiaogang

October 5, 2017

Chinese Dreams’ examines what was lost in the Cultural Revolution

© Jean Dubuffet. Photo courtesy Pace Gallery.

September 13, 2017

After 30 Years, Dubuffet's "Théâtres de mémoire" on view at Pace London

Photo: the New York Times

September 3, 2017

Shepard Fairey reflects on anger, hope and his new work in the New York Times